THIRTEEN’s American Masters reveals demanding creative
process behind celebrated director/choreographer Bill T. Jones’s ambitious dance-theater work for Lincoln bicentennial
Thursday, October 27th, 2011
Bill T. Jones: A Good Man premieres Friday, November 11 on
WTVP 47.1 as part of the first PBS Arts Fall Festival
continues its 25th anniversary season with
Bill T. Jones: A Good Man,
premiering Friday, November 11 at 8 p.m. on WTVP 47.1. The 90-minute film chronicles the intense creative journey of
Bill T. Jones – a 2010 Kennedy Center Honors recipient and two-time Tony® Award winner for Best Choreography – as he tackles
the most ambitious work of his career and leads the Bill T. Jones/Arnie Zane Dance Company in the creation of Fondly Do
We Hope…Fervently Do We Pray, an original dance-theater piece in honor of Abraham Lincoln’s bicentennial commissioned
by Ravinia Festival. Co-directors Bob Hercules of Media Process Group and Gordon Quinn of Kartemquin Films provide a window
into the creative process and the creative crisis of one of our nation’s most enduring, provocative artists as he explores
what it means to be a good man, to be a free man, to be a citizen. American Masters Bill T. Jones: A Good Man
is part of the first
PBS Arts Fall Festival,
a multi-platform event anchored by nine films that highlight artists and performances from around the country.
“Fondly… is one of the most challenging projects I have ever undertaken,” said Jones. “A Good Man
is an honest and unflinching portrait of that process.”
Through two tumultuous years, witness raw moments of frustration as Jones struggles to communicate his vision
to his dancers and collaborators, as well as moments of great exhilaration when movement transcends the limitation of words.
Jones and his company come face-to-face with America’s unresolved contradictions about race, equality and the legacy of our
16th President. Initially an indictment of “The Great Emancipator,” the work evolves into a triumph of hope for our
struggling democracy, with Jones revealing that Lincoln was “the only white man I was allowed to love unconditionally.”
“Abraham Lincoln and Bill T. Jones make total sense to me. The courage and convictions of both men are a
testament to the timeless endurance of art and action,” says Susan Lacy, series creator and executive producer of American
Masters, a seven-time winner of the Emmy® Award for Outstanding Primetime Non-Fiction Series. The series is a production
of THIRTEEN for WNET New York Public Media. WNET is the parent company of THIRTEEN and WLIW21, New York’s public television
stations. For nearly 50 years, WNET has been producing and broadcasting national and local documentary and other programs
to the New York community.
“I had always wanted to make a film that follows the creation of art from the very beginning all the way to
the end,” says Bob Hercules. “Bill T Jones: A Good Man gave us that chance since we were wisely brought in
by Ravinia at the very start of Bill’s research phase. Luckily, we had the resources and determination to keep filming
through the whole process up to the premiere of the piece two years later. The result is an unvarnished look at how art
“We tried to convey the immense amount of ideas and information that Bill T. Jones transfers into movement,
music and speech for a performance. As we watched Bill’s struggles in putting his feelings about Lincoln and the
contradictions and complexities of American democracy into Fondly…, we found ourselves drawn into the same
contradictions about our democracy and our hopes for the future of this country,” says Gordon Quinn.
Throughout the film Jones explains how his childhood, artistic journey, personal feelings about Lincoln,
and current emotional and physical condition affect the piece’s direction and development.
PBS Arts Fall Festival
also features interviews with dancers, musicians, crew, and staff from the Bill T. Jones/Arnie Zane Dance Company,
including Executive Director Jean Davidson, Associate Artistic Director Janet Wong, Producing Director Bob Bursey,
and Creative Director/Set Designer Bjorn G. Amelan, as well as Welz Kauffman, CEO and president of Ravinia Festival.
Fondly Do We Hope…Fervently Do We Pray premiered at Ravinia Festival in Highland Park, Illinois, on September
17, 2009. The film features performances from the Ravinia premiere and rehearsals at the New 42nd Street Studios in
New York City, along with production, writing and research sessions, including an emotional viewing of Lincoln’s personal
effects at the Abraham Lincoln Presidential Library. Archival performances include Still/Here (1994), Last
Supper at Uncle Tom’s Cabin/The Promised Land (1990) and Jones’s collaborations with his late partner Arnie Zane in
Valley Cottage (1980), Blauvelt Mountain (1980) and Monkey Run Road (1979).
To take American Masters
beyond the television broadcast and further explore the themes, stories and personalities of masters past and present,
the companion website (pbs.org/americanmasters)
offers streaming video of select films, interviews, essays, photographs, outtakes, and other resources. As part of the
PBS Arts Fall Festival,
PBSArts.org will host an online interactive
exhibit that explains the complex production process behind stage works like Fondly Do We Hope…Fervently Do We Pray,
including lighting and set design.
Bill T. Jones: A Good Man is a co-production of A Good Man Film LLC, Kartemquin Films,
Independent Television Service (ITVS), THIRTEEN’s American Masters for WNET, and Media Process Group, with the
cooperation of the Ravinia Festival. Bob Hercules and Gordon Quinn are directors. Joanna Rudnick is producer. Keith
Walker is directory of photography, David E. Simpson is editor and Rachel Pikelny is associate producer. Gordon Quinn
is executive producer for Kartemquin Films and Sally Jo Fifer is executive producer for ITVS. Susan Lacy is the series
creator and executive producer of American Masters.
For further information contact Linda Miller, WTVP Vice President of
at (309) 495-0591 or email@example.com