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WTVP Headlines
FOR IMMEDIATE RELEASE
Seriously Funny – The Comic Art of Woody Allen
THIRTEEN’s American Masters premieres Seriously
Funny – The Comic Art of Woody Allen (w.t.) Sunday, November 20 and Monday, November 21 on PBS
Thursday, October 27th, 2011

Iconic writer, director, actor, comedian, and musician Woody Allen allowed his life and creative process to
be documented on-camera for the first time. With this unprecedented access, Emmy®-winning, Oscar®-nominated filmmaker
Robert Weide followed the notoriously private film legend over a year and a half to create the ultimate film biography.
Seriously Funny – The Comic Art of Woody Allen
premieres nationally Sunday, November 20 from 8-10 p.m. and Monday, November 21 from 8-9:30 p.m. on WTVP 47.1 as part
of the 25th anniversary season of American Masters.
“This is the Woody doc everybody has been waiting for, and I am delighted that this creative giant is
finally assuming his rightful place in the American Masters library,” says Susan Lacy, series creator and executive
producer of American Masters, a seven-time winner of the Emmy® Award for Outstanding Primetime Non-Fiction Series.
The series is a production of THIRTEEN for WNET New York Public Media. WNET is the parent company of THIRTEEN and WLIW21,
New York’s public television stations. For nearly 50 years, WNET has been producing and broadcasting national and local
documentary and other programs to the New York community.
“Woody Allen was always the big ‘get’ for me,” says Robert Weide, best known for his long-term
directing/producing stint on Curb Your Enthusiasm, which earned him Emmy® and Golden Globe® Awards. “The prolific nature
of Woody’s output has provided me with an embarrassment of riches. In fact, Woody will have made three features just in
the time it’s taken me to make this one documentary.”
Beginning with Allen’s childhood and his first professional gigs as a teen — furnishing jokes for
comics and publicists — American Masters: Seriously Funny – The Comic Art of Woody Allen chronicles the
trajectory and longevity of Allen’s career: from his work in the 1950s-60s as a TV scribe for Sid Caesar, standup
comedian and frequent TV talk show guest, to a writer-director averaging one film-per-year for more than 40 years.
Weide covers Allen’s earliest film work in Take the Money and Run, Bananas, Sleeper, and Love
and Death; frequent Oscar® favorites such as Annie Hall, Manhattan, Zelig, Broadway Danny
Rose, Purple Rose of Cairo, Crimes and Misdemeanors, Husbands & Wives, Bullets Over
Broadway, and Mighty Aphrodite; and his recent globetrotting phase with Match Point, Vicky
Christina Barcelona, and this year’s box office smash Midnight in Paris.
Exploring the ultimate “independent filmmaker’s” writing habits, casting, directing, and relationship
with his actors, Weide traveled with Allen from the London set of You Will Meet a Tall Dark Stranger — a major coup
“considering Woody has never allowed so much as an EPK [Electronic Press Kit] crew on his sets,” claims Weide — to
the Cannes premiere of Midnight in Paris this May. He also filmed Allen at home, in the editing room and touring
his childhood haunts in the Midwood section of Brooklyn. New interviews provide insight and backstory: actors Antonio
Banderas, Josh Brolin, Penelope Cruz, John Cusack, Larry David, Mariel Hemingway, Scarlett Johansson, Julie Kavner,
Diane Keaton, Martin Landau, Louise Lasser, Sean Penn, Tony Roberts, Chris Rock, Mira Sorvino, Naomi Watts, Dianne Wiest,
and Owen Wilson; writing collaborators Marshall Brickman, Mickey Rose and Doug McGrath; cinematographers Gordon Willis and
Vilmos Zsigmond; Allen’s sister Letty Aronson; longtime manager Jack Rollins; casting director Juliet Taylor; pals Dick
Cavett and Martin Scorsese; and others.
American Masters: Seriously Funny also touches on Allen’s contributions as a writer for the
theater and his casual pieces for The New Yorker, as well as his frequent moonlighting gig as a clarinet player with a
New Orleans-style jazz band. “He never refused a request and he never declined to answer a question,” says Weide.
To take American Masters beyond the television broadcast and further explore the themes, stories
and personalities of masters past and present, the companion website
(pbs.org/americanmasters)
offers streaming video of select films, interviews, essays, photographs, outtakes, and other resources.
Seriously Funny – The Comic Art of Woody Allen
is a Whyaduck Productions and Insurgent Media Production in association with THIRTEEN’s American Masters for WNET. Robert
Weide is director, writer, producer, and co-editor. Michael Peyser, Erik Gordon, Fisher Stevens, Andrew Karsch, and Brett
Ratner are executive producers. Susan Lacy is the series creator and executive producer of American Masters.
American Masters is made possible by the support of the National Endowment for the Arts and by the
Corporation for Public Broadcasting. Additional funding for American Masters is provided by Rosalind P. Walter,
The Blanche & Irving Laurie Foundation, Rolf and Elizabeth Rosenthal, Cheryl and Philip Milstein Family, Jack Rudin, The
André and Elizabeth Kertész Foundation, Michael & Helen Schaffer Foundation, and public television viewers. Funding for
this program is provided by Miriam and Sam Blatt.
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For further information contact Linda Miller, WTVP Vice President of
Programming,
at (309) 495-0591 or linda.miller@wtvp.org
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