MICHAEL FEINSTEIN’S AMERICAN SONGBOOK
KICKS OFF SECOND SEASON THIS FEBRUARY ON WTVP
Airs Fridays, February 3-17, 2012, 8-9:00 p.m. on WTVP-HD.
Thursday, February 2nd, 2012
Three-Part Series Continues Exploration of American Popular Music
Through the Performances and Adventures of Its Most Passionate Preservationist
MICHAEL FEINSTEIN’S AMERICAN SONGBOOK
kicks off its three-part second season February 3 on WTVP, with a multifaceted journey through the history of American
song by the acclaimed musician and five-time Grammy®-nominated vocalist. Produced and directed by Amber Edwards of
Hudson West Productions, MICHAEL FEINSTEIN’S AMERICAN SONGBOOK gives viewers an intimate look at
Feinstein on stage, behind the scenes and on the road, where he has all-new adventures in his quest to celebrate and
preserve the gems of classic American music. The show airs Fridays, February 3-17, 2012, 8-9:00 p.m. on WTVP-HD.
“I don’t know if it’s some sort of karmic thing that I am supposed to be given all of these recordings
and pieces of music to preserve,” Feinstein says in the show, “but it’s clear that for whatever reason, it is also my
responsibility to share it and get it out there.”
“In our second season, we continue to find a surprise around every corner — and what unexpected corners
we turn,” says Edwards. “Las Vegas, Kansas City, the Mississippi Delta, Hugh Hefner’s Playboy Mansion — everywhere we
go we find that this music reflects a different aspect of who we are as a people. It’s as if the American Songbook is
an ever-spinning prism.”
MICHAEL FEINSTEIN’S AMERICAN SONGBOOK chronicles Feinstein’s lifelong mission to keep the
Great American Songbook alive, as he champions the lyrics and melodies of songwriters like George and Ira Gershwin,
Cole Porter, Harold Arlen, Duke Ellington, Johnny Mercer, Irving Berlin, and Rodgers and Hart, all while performing
more than 200 shows a year across America. Season two further illuminates Feinstein’s passion for American song, as he
meets fanatical collectors of sheet music, records, manuscripts and memorabilia, and solves an astonishing musical
mystery. Feinstein and his fellow collectors represent a tiny world devoted to saving a gigantic body of work. Their
eccentricities make for a colorful cast of supporting characters.
Filled with generous portions of live performance and a wealth of archival footage that puts the music
in historical context, the series offers both an intimate portrait of a multi-talented artist and a fresh appreciation
of 20th-century popular culture. It makes the material accessible to viewers who are new to the music and its history,
yet offers sophisticated details and analysis for the connoisseur. The American Society of Composers, Authors and
Publishers (ASCAP) honored season one of MICHAEL FEINSTEIN’S AMERICAN SONGBOOK with its Deems Taylor
Award for Outstanding Musical Content. An encore of Season One also airs this February, Fridays, February 3-17
from 9-10:00 p.m. immediately following the Season 2 premieres.
Season Two Episode Synopses
Episode One (Feb. 3), “Time Machines,” explores how technology has preserved and altered the
way we think about the great songs and singers of the past. Feinstein goes on a cross-country quest — even
stopping at Hugh Hefner’s mansion — to uncover the various ways musical performances were documented, and the
eclectic array of collectors and performers who are keeping that music alive. Includes a guest appearance by Hefner.
Episode Two (Feb. 10), “Lost and Found,” follows Feinstein’s discovery and authentication of
an undocumented song by one of the giants of American popular music. Feinstein also persuades legendary Broadway
songwriter Jerry Herman to teach him an unknown song from his own songwriter’s “trunk,” one that’s never been heard
prior to this broadcast. Includes a guest appearance by Tony Award-winner Christine Ebersole.
Episode Three (Feb. 17), “Saloon Singers,” examines the allure of musical nightlife, from
Mississippi juke joints to the neon lights of Las Vegas. Feinstein delves into the history of nightclub entertainment,
from the Cotton Club to Sinatra’s Rat Pack. In addition, he talks to pioneers of the form, including entertainer Rose
Marie, and poet and author Maya Angelou, who once made her living doing a calypso club act in San Francisco.
MICHAEL FEINSTEIN’S AMERICAN SONGBOOK
is part of PBS Arts, highlighting PBS’s ongoing, multi-platform commitment to the performing and visual arts that
gives millions of viewers a front-row seat and back-stage pass to the best music, theater, dance, art, and cultural
history programs on-air and online. For more information,
www.pbs.org/arts.
Underwriters
Sara P. Carruthers, The Shelley and Donald Rubin Foundation, Louise Kerz Hirschfeld and Lewis B. Cullman, The
Blanche and Irving Laurie Foundation, Irwin Helford, The Lizzie and Jonathan M. Tisch Foundation, Peter O. Hanson,
Susan and Hank Scherer
About Hudson West
Hudson West Productions makes socially meaningful documentary films about the arts, history and education. Founded in
1985, its mission is to fill in gaps left by commercial media, by preserving, interpreting, and presenting unique,
overlooked narratives to a wide audience.
In 2010, Hudson West provided four hours of primetime programming to PBS. The three-part series
MICHAEL FEINSTEIN’S AMERICAN SONGBOOK, produced and directed by Amber Edwards with Dave Davidson as
co-producer and director of photography, received the ASCAP Deems Taylor Broadcast Award for Outstanding Musical
Content and two nominations from the International Documentary Association Awards for Best Limited Series and Best
Use of Archival Footage. In May that year, PBS premiered A PLACE OUT OF TIME — THE BORDENTOWN SCHOOL, which
tells the story of the rise and fall of the last publicly funded, co-educational, all-black boarding school north of
the Mason-Dixon line. Directed by Dave Davidson, co-produced by Amber Edwards and narrated by legendary actress Ruby
Dee, A PLACE OUT OF TIME was the only PBS program to receive the Christopher Award in 2011, for “media that
salutes the highest values of the human spirit.”
Currently in post-production is a documentary and set of multi-media curriculum guides about the
pioneering avant-garde artist and filmmaker Hans Richter, EVERYTHING TURNS, EVERYTHING REVOLVES, directed by
Dave Davidson, which will premiere at the Los Angeles County Museum in 2013 in conjunction with a major retrospective
of Richter’s work.
Over the past 25 years, Hudson West has introduced viewers to gospel and rhythm and blues pioneer Cissy
Houston (SWEET INSPIRATION, 1988), the legendary one-legged tap dancer (THE DANCING MAN: PEG LEG BATES, 1992),
impresarios of the early motion picture industry (INTO THE LIGHT, 1995); and the not-so-ordinary life of public
schools (in QUICKSAND & BANANA PEELS, 1998; BRICK CITY LESSONS, 1999; NO PLACE TO BE SMART, 2000.)
All of Hudson West’s documentaries have been broadcast on PBS stations and have been seen in the U.K., Norway and Australia.
The company’s awards include two Emmys and four CINE Golden Eagles, and acclaim from film festivals around the world.
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For further information contact Linda Miller, WTVP Vice President of
Programming,
at (309) 495-0591 or linda.miller@wtvp.org